PHOTO LONDON 2024

LIGHT - LUX - NOOR

Marta Djourina • Laure Winants • Azadeh Ghotbi

16-19 May 2024, Discovery Section: D08, Somerset House, London

Victoria Law Projects presented LIGHT - LUX - NOOR at Photo London 2024 putting the spotlight on three talented international women artists, Marta Djourina, Laure Winants and Azadeh Ghotbi. All three artists have embraced experimental photographic practices in their own unique way. Light is central to their approach and a key focus of this exhibition.

In stretching the boundaries of light and photography, the artists enhance our understanding of the medium. But their aims extend far beyond this, as they seek to ask questions about our environment and our place within it. Djourina’s experimental photographic practice involves the production of “camera-less” photographs; Ghotbi’s photographs activate the camera as a paintbrush, blurring the boundaries between photography and painting; finally, Winant’s practice incorporates the natural world into the process of photographic production.

In each case, the result is a series of mesmerising abstract artworks through which the natural world seeps in as gracefully as light itself. This is the first time that these three artists have been exhibited at Photo London. Djourina and Winants both took part in the European Investment Bank’s Artists Development Programme in 2022 and 2023, respectively while Ghotbi’s work was the focus of Photo London magazine issue 114 in late 2023. Their works have been exhibited widely internationally and have entered important private as well as public collections.

Selected Works


LAURE WINANTS

Time Capsule, Refraction, 2024

Study of the composition of light on thin sheets of Arctic ice

Photogram 78° 55′ 26′′ N, 11° 55′ 19′′ E
160 x 110 cm each, framed 160 x 120 cm

Unique works

Time Capsule, 2023

Sea Ice core from Arctic drilling melted on negative. Chemical reaction between the salt, the atmosphere composition from millions years captured in the ice and the sensitivity of the mid format negative. 78° 55′ 26′′ N, 11° 55′ 19′′ E

25 x 20 cm film in 38 x 30 cm steel frame

Unique work

AZADEH GHOTBI

The Shape of Light

Diasec - photo print under acrylic glass, wood frames
 61 x 61 cm each

Ed. 19 + 1AP

The Shape of Light 2920, 2921 & 2924, 2018
Giclée prints on Hahnemühle paper - 60 x 60 cm each

The Nature of Light

Giclée print on Hahnemühle paper
60 x 60 cm (w. border).
Passe-partout, museum glass, wood frame
64 x 64 cm

MARTA DJOURINA

Folds I, 2021

Direct exposure on folded analogue photo paper, 75cm

Untitled, 2020

Direct exposure on analogue photo paper with lights,
Self-made film negative, 51 x 40,5 cm

Folds II, 2022-23

Direct exposure on folded analogue photo paper, 40 x 30 cm

Fluid Contact, 2023


Exposures with the water of the river Seine, 40 x 30 cm

Azadeh Ghotbi at Victoria Law Projects 

Azadeh Ghotbi is an Iranian American artist living and working in London, showing two series: Nature of Light and The Shape of Light. Initially a painter in the tradition of abstract geometry, Ghotbi began embracing photography as a complementary medium to sharpen her sense of observation and focus on light. “I owe photography a whole new way of seeing“, she says. Her photographs are light paintings that challenge the stillness of photography. Instead of freezing for a moment, her photographs appear to “unfreeze” as if the click of the camera were an injection of energy. Shot entirely in the mountains of Norway, The Nature of Light series is based on the alchemy between changing natural light, time, movement, and space. The artist liberated herself from prior static in-studio work by fluidly moving her camera, as she would her paintbrush, to capture the essence of the colours provided by natural light. Digital pixels appear like brushstrokes, blurring the line between painting and photography while playing with the viewer’s sense of perception. In London, Ghotbi trailed her lens on city lights, shooting entirely in the darkness of the urban night, which gave rise to The Shape of Light series. The artist says, “The magic of photography for me is capturing and sharing what’s already there, but others may not see.” A powerful, uplifting tonic to the problematic space she occupies as an Iranian woman of the diaspora.