PHOTO LONDON 2024
LIGHT - LUX - NOOR
Marta Djourina • Laure Winants • Azadeh Ghotbi
16-19 May 2024, Discovery Section: D08, Somerset House, London
Victoria Law Projects presented LIGHT - LUX - NOOR at Photo London 2024 putting the spotlight on three talented international women artists, Marta Djourina, Laure Winants and Azadeh Ghotbi. All three artists have embraced experimental photographic practices in their own unique way. Light is central to their approach and a key focus of this exhibition.
In stretching the boundaries of light and photography, the artists enhance our understanding of the medium. But their aims extend far beyond this, as they seek to ask questions about our environment and our place within it. Djourina’s experimental photographic practice involves the production of “camera-less” photographs; Ghotbi’s photographs activate the camera as a paintbrush, blurring the boundaries between photography and painting; finally, Winant’s practice incorporates the natural world into the process of photographic production.
In each case, the result is a series of mesmerising abstract artworks through which the natural world seeps in as gracefully as light itself. This is the first time that these three artists have been exhibited at Photo London. Djourina and Winants both took part in the European Investment Bank’s Artists Development Programme in 2022 and 2023, respectively while Ghotbi’s work was the focus of Photo London magazine issue 114 in late 2023. Their works have been exhibited widely internationally and have entered important private as well as public collections.
Time Capsule, Refraction, 2024 Study of the composition of light on thin sheets of Arctic ice Photogram 78° 55′ 26′′ N, 11° 55′ 19′′ E 160 x 110 cm
Time Capsule, Refraction, 2024 Study of the composition of light on thin sheets of Arctic ice. Photogram 78° 55′ 26′′ N, 11° 55′ 19′′ E 160 x 110 cm
Time Capsule, 2023 Cutting ice with light. Lambda print 20 x 15 cm image in 28,5 x 21,5 cm raw steel frame
Time Capsule, 2023 Cutting ice with light. Lambda print 20 x 15 cm image in 28,5 x 21,5 cm raw steel frame
Time Capsule, 78° 55′ 26′′ N, 11° 55′ 19′′ E, 2023 Sea Ice core from Arctic drilling melted on negative. Chemical reaction between the salt, the atmosphere composition from millions years captured in the ice and the sensitivity of the mid format negative. 12 x 10 cm film in 25 x 20 cm steel frame
Time Capsule, 78° 55′ 26′′ N, 11° 55′ 19′′ E, 2023 Sea Ice core from Arctic drilling melted on negative. Chemical reaction between the salt, the atmosphere composition from millions years captured in the ice and the sensitivity of the mid format negative. 12 x 10 cm film in 25 x 20 cm steel frame
Time Capsule, 78° 55′ 26′′ N, 11° 55′ 19′′ E, 2023 Sea Ice core from Arctic drilling melted on negative. Chemical reaction between the salt, the atmosphere composition from millions years captured in the ice and the sensitivity of the mid format negative. 25 x 20 cm film in 38 x 30 cm steel frame
The Shape of Light, 2018 Giclée print on Hahnemühle paper 60 x 60 cm
The Nature of Light, 2024 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Nature of Light, 2024 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Nature of Light, 2024 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Shape of Light, 2018 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Nature of Light, 2024 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Nature of Light, 2024 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Nature of Light, 2024 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Shape of Light, 2018 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
The Shape of Light, 2018 Giclée print on Hahnemühle paper 60 x 60 cm Ed. 19 + 1AP
Untitled, 2020 Direct exposure on analogue paper with lights, self-made film negative 51 x 40,5 cm
Untitled, 2020 Direct exposure on analogue paper with lights, self-made film negative 51 x 40,5 cm
Untitled, 2020 Direct exposure on analogue paper with lights, self-made film negative 51 x 40,5 cm
Untitled, 2020 Direct exposure on analogue paper with lights, self-made film negative 51 x 40,5 cm
Folds II, 2022-23 Direct exposure on folded analogue photo paper 40 x 30 cm
Folds II, 2022-23 Direct exposure on folded analogue photo paper 40 x 30 cm
Folds II, 2022-23 Direct exposure on folded analogue photo paper 40 x 30 cm
Folds II, 2022-23 Direct exposure on folded analogue photo paper 40 x 30 cm
Fluid Contact, 2023 Exposures with the water of the river Seine 40 x 30cm
Fluid Contact, 2023 Exposures with the water of the river Seine 40 x 30cm
Foxfire, 2021 Direct exposure on analogue photo paper with bioluminescent algae 40 x 30 cm
Foxfire, 2021 Direct exposure on analogue photo paper with bioluminescent algae 40 x 30 cm
Folds I, 2021 Direct exposure on folded analogue photo paper 75 cm
Folds I, 2021 Direct exposure on folded analogue photo paper 55 cm
INSTALLATION
TEN OF THE BEST FROM PHOTO LONDON 2024
Nico Kos-Earle, Artlyst, 18 May 2024
PRESS
Azadeh Ghotbi at Victoria Law Projects
Azadeh Ghotbi is an Iranian American artist living and working in London, showing two series: Nature of Light and The Shape of Light. Initially a painter in the tradition of abstract geometry, Ghotbi began embracing photography as a complementary medium to sharpen her sense of observation and focus on light. “I owe photography a whole new way of seeing“, she says. Her photographs are light paintings that challenge the stillness of photography. Instead of freezing for a moment, her photographs appear to “unfreeze” as if the click of the camera were an injection of energy. Shot entirely in the mountains of Norway, The Nature of Light series is based on the alchemy between changing natural light, time, movement, and space. The artist liberated herself from prior static in-studio work by fluidly moving her camera, as she would her paintbrush, to capture the essence of the colours provided by natural light. Digital pixels appear like brushstrokes, blurring the line between painting and photography while playing with the viewer’s sense of perception. In London, Ghotbi trailed her lens on city lights, shooting entirely in the darkness of the urban night, which gave rise to The Shape of Light series. The artist says, “The magic of photography for me is capturing and sharing what’s already there, but others may not see.” A powerful, uplifting tonic to the problematic space she occupies as an Iranian woman of the diaspora.