NEWS
Victoria Law Projects returns to Photo London at National Hall, Olympia (Booth J13), with The Living Trace, a curated presentation of works by artists Edward Rollitt and Carolina Baldomá.
Carolina Baldomá, Untitled; from the series The Path to Shizen, 2024. Cyanotype on Japanese paper. Polyptych of 18 pieces.
Carolina Baldomá, Untitled; from the series I Was Once Between the Moon and the Sun, 2021.
Edward Rollitt, Alfred Smee Prunes His Roses, 2024.
Edward Rollitt, The Reverend Lovelace Bigg-Wither, 2023.
PHOTO LONDON 2026
Preview: 13 May 2026
National Hall, Olympia, 14 May – 17 May 2026
The Living Trace
Curated presentation of works by British artist Edward Rollitt and Argentine visual artist Carolina Baldomá.
Rollitt constructs psychologically charged interiors in rural Hampshire and Baldomá makes cyanotypes in elemental collaboration with the Argentine Pampas, both practices are animated by the same understanding: that matter carries memory, and that what a photograph records is not just what was in front of the camera, but what passed between the maker and their materials.
FRIEZE SCULPTURE 2025
Regent’s Park London, 17 September – 2 November 2025
The Tale of the Eye, the Snake and the Seed
Site specific sculptural installation and sound piece by Lucia Pizzani for Frieze Sculpture curated by Fatoş Üstek
An immersive experience of ceramic sculpture, story, and sound, reflecting on nature, mythology, and transformation
Presented by Galleria Doris Ghetta x Victoria Law Projects
Site specific sculptural installation and sound piece by Lucia Pizzani for Frieze Sculpture curated by Fatoş Üstek
An immersive experience of ceramic sculpture, story, and sound, reflecting on nature, mythology, and transformation.
Presented by Galleria Doris Ghetta x Victoria Law Projects
The Tale of the Eye, the Snake and the Seed has been permanently installed at Tremenheere Sculpture Gardens.
Originally commissioned for Frieze Sculpture and presented in Regent's Park in 2025, the work now enters a lasting institutional context within Tremenheere’s distinguished landscape overlooking Mount’s Bay. Victoria Law Projects secured and oversaw the permanent placement, guiding the work’s transition from Frieze Sculpture to an institutional setting.
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